From Miasma to Ebola: The History of Racist Moral Panic Over Disease

From Miasma to Ebola: The History of Racist Moral Panic Over Disease: "Aranda's photograph is in stark contrast to the images of white Ebola patients that have emerged from the United States and Spain. In these images the patient, and their doctors, are almost completely hidden; wrapped in hazmat suits and shrouded from public view, their identities are protected. The suffering is invisible, as is the sense of stench produced by bodily fluids: these photographs are meant to reassure Westerners that sanitation will protect us, that contagion is contained.



 Pernicious undertones lurk in these parallel representations of Ebola, metaphors that encode histories of nationalism and narratives of disease. African illness is represented as a suffering child, debased in its own disease-ridden waste; like the continent, it is infantile, dirty and primitive. Yet when the same disease is graphed onto the bodies of Americans and Europeans, it morphs into a heroic narrative: one of bold doctors and priests struck down, of experimental serums, of hazmat suits and the mastery of modern technology over contaminating, foreign disease. These parallel representations work on a series of simple, historic dualisms: black and white, good and evil, clean and unclean."



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